TAKE A PHOTO WITH THE EASTER BUNNY FOR FREE ON SAT/SUN -ĪPRIL 8-9 (approx. That allows the fairgoer to ride all the rides as many times as they want for any one day of the event from open until close.Īn entertaining family event where you can bring the whole family. $40 onsite at the door (Good for ANY ONE DAY of the event) $32 onsite at the door (Good for Thursday or Friday of the event), and Sun.), and free photos with Easter Bunny (2-6PM on Sat., April 8 and Sun., April 9, 2023, on a first-come, first-served basis).Ĭhildren under the age of 8 and Seniors over the age of 65 are FREE ADMISSION (does not include food, drink, carnival rides or games).įairgoer can purchase a unlimited ride wristband for ADVISED TO WEAR TENNIS SHOES.Īdmission for Adults and Children 8 and over is $5.00 (cash only) that includes live stage entertainment (on Sat. Unlimited Ride Wristband (Good for ANY ONE DAY of the event)Įvent Admission Sold Separately for $5.00 (cash only) at Event Gate.Īdmission Gates close 1 hour prior to closing. Unlimited Ride Wristband (Good for Thursday or Friday of the event) and Sun.), carnival games, local artisans, food court, and free photos with Easter Bunny (2-6PM on Sat., April 8 and Sun., April 9, 2023, on a first-come, first-served basis). La Prada Event Plaza (Whittier Narrows Park, South El Monte, California)įACEBOOK EVENT PAGE | EVENT MAP/DIRECTIONS | VENDOR APPLICATIONĤ3rd LA Spring Fair is the largest Spring Festival in Los Angeles County, 12 acres of Kids & Adults carnival amusement rides, live music (on Sat.
0 Comments
Old work can be replicated, but that’s another story. Ornaments including ceiling medallions are cast in a mold, then applied. Mouldings, however, are run in place, the profile created by pushing a template against wet plaster. This article concerns itself with three-coat plaster, applied to wood or metal lath and troweled smooth. The result is a superior, handmade wall surface that offers surprisingly good insulation and sound-proofing qualities. Once the brown coat has cured, the top or finish coat goes on, either smooth or in a variety of textured finishes. The Brown CoatĪs the brown coat goes on, the plasterer levels out wall surfaces and creates square and plumb corners. The top surface of this scratch coat is then scored to prepare it to receive the second or brown coat. The plasterer forces the wet mixture thickly through gaps in the lath to form “keys” that harden and lock the coat in place as it cures. Three coats of wet plaster are applied in layers to the lath: the scratch coat, the brown coat, and the finish coat. Illustration by Rob Leanna based on Kathy Bray What is a 3-Coat Plaster System?Ī traditional multi-coat plaster system begins with a substructure of lath-thin wood slats or metal mesh-that’s attached to the wall framing. Three-coat plaster is a system of multiple layers that work together to form a strong, sound-dampening, fire-resistant wall. About 150 years ago, a new component, gypsum, was added to the sand and lime mixture to enable the plaster to cure more quickly and allow for faster working times. Historically, plaster consists of dry components including sand, lime, and cattle hair (or straw or manure) mixed with water to create a wet, plastic medium that cures and hardens as it dries. More serious repair problems include delamination, bulging walls, and key failure, where plaster has broken loose from its grip on the lath substructure.Īpplied with craft and skill, interior plaster is a near-magical building material for creating and coating walls and ceilings. The most common type of damage to plaster is cracking, progressing from the superficial and easily repaired to deeper and wider cracks that require multiple repair techniques. It’s much easier to repair cracks or patch holes with this versatile material than with drywall. In many cases, problems with plaster can be fixed. If sections or entire walls need attention, don’t let the idea of working with old plaster intimidate you.
In the original post about using the Desktop App Converter We have manually specified that the main process to launch is theĮxcept for these two changes, everything else is exactly like we’ve seen Parameter doesn’t point to a MSI or EXE file, but to the directory on the desktop we’ve seen in the previous image. Here is the command that we can execute in order to get our app converted in a manual way:ĭesktopAppConverter.exe -Installer "C:\Users\mpagani\Desktop\HelloCentennial\" -AppExecutable "HelloCentennial.exe" -Destination "C:\Users\mpagani\Desktop\AppOutput" -PackageName "HelloCentennial" -Publisher "CN=mpagani" -Version "1.0.0.0" -MakeAppx -Sign -Verbose In a real world scenario, you would need to include just the executable and its dependencies, like a third party DLL here I’m just showing how, if you want, you can just pass to the Desktop App Converter the output folder of the build made by Visual Studio for the traditional desktop project and it would just work.Īs you can see, the main process to launch is the executable called The folder would have the following content: ) and let’s say that you have placed all the files of your application in a folder called Let’s reuse the sample app I have on my GitHub repository ( Since, this time, you don’t have an installer, the Desktop App Converter isn’t able to automatically understand which is the main executable of your app, so you will have to manually specify it with the – Parameter shouldn’t point to the path of a setup file, but to the folder which contains all the files of the application you want to manually convert. Original blog post to learn all the details Then, the usage is the same with a regular installer (so you can refer to the How can you leverage this new feature? First, you have to make sure you have the last version of the Desktop App Converter, which you can Parameters and let it generate a signed app package that you can easily side load on your or others’ computer, prior to having installed theĬertificate which is generated during the process. This feature isn’t specific of the manual conversion, but it has been previously added in version 1.0.6.0 of the tool and it works also with regular installers.Īdditionally, like with a regular installer, you have also the option to pass to the Desktop App Converter the – Generating the basic folder for your app package.Īdding a proper manifest file with all the correct information already in place, based on the parameters you have passed to the tool.Įxtract the main icon of the app and generate all the assets for all the various scale factors supported by Windows, including the resource.pri files which are required to make them working. Now you can point the tool not to an installer, but to a folder that contains your application (the executable and all its dependencies) and the tool will take care of: Since a few days, there’s a new option on the shelf: on 6th March the Desktop Bridge team has released on the Store version 1.0.9.0 of the Desktop App Converter, which has added a new super useful feature. If you have added assets which support all the Windows scaling factors, you will have to manually generate the various resources.pri files,Īs explained in the official documentation. Look on the web for an example of an AppxManifest.xml file related to a Desktop Bridge app to copy and paste, since it’s quite different from the standard one generated for an UWP app and it’s almost impossible to remember every change to apply, and then adapt it to your scenario (like setting the proper publisher, app name, app executable path, etc.) Manually create the folder with the files required by an app package, like the assets, the executable with its dependencies, the manifest file, etc. However, in all these cases, the initial setup of the project is always quite repetitive and, 99% of the times, you must: But if you’re starting from an application without an installer or your own project, you have to switch to manual deployment,Įither with copy & paste, with the help of Visual Studio 2017 and the Desktop Bridge Debugging. We’ve learned how the Desktop App Converter is a great tool when it comes to convert a desktop application for which you already have an existing installer. In one of the first blog posts of the series Texas mountain laurel trees are drought-tolerant and prefer well-drained soils. The palmate leaves with oval leaflets create dense foliage, adding to the tree’s year-round beauty. Native to North America, Texas mountain laurel tree leaves are leathery, dark green. These purple-lavender flowers grow in drooping, showy clusters measuring 3” to 7” (7.5 – 18 cm) long and attract bees and butterflies. The fragrant flowers resemble grape hyacinths and bloom in late winter or early spring. Texas mountain laurel is a small evergreen tree known for its clusters of fragrant pale purple flowers. Sun: Full sun Texas Mountain Laurel Tree ( Sophora secundiflora) The fragrant purple flowers attract butterflies and pollinators in summer. They are drought-tolerant once established and are resistant to most pests and diseases. The dense foliage and long blooming season give the small ornamental tree plenty of landscape appeal.Ĭhaste trees are ideal for growing as shrub borders, foundation plantings, or specimen trees. Five to seven leaflets grow per leaf, with silvery undersides, creating a shimmering appearance in the wind. Leaves on the chaste tree are aromatic, dark green palmate leaves, giving it a tropical appearance. The tree is also called the monk’s pepper or lilac chaste tree. These are followed by small round black fruits that resemble peppercorns. The lilac or pale blue flowers bloom throughout summer, covering the small tree’s vase-shaped canopy. The chaste tree is a small tree or shrub prized for its attractive spiked clusters creating spectacular sprays of fragrant purple flowers. Sun: Full sun Chaste Tree ( Vitex agnus-castus) The tree’s delicate flowers and graceful form make it popular in gardens and parks. Or you can grow them as a focal point in a garden landscape. Jacaranda trees make attractive ornamental shade trees due to their striking beauty. The purple-flowering trees can be evergreen, semi-evergreen, or deciduous, depending on the climate. Jacaranda trees thrive in warm, tropical climates and prefer well-drained soil. The tree’s fern-like leaves are a bright green color and provide a lovely backdrop to the colorful flowers. The flowers are followed by ornamental flattened mahogany seed pods.Ī close up picture of jacaranda tree flowers These blue-violet flowers cover the tree’s wide, spreading, umbrella-like canopy. The trumpet-shaped flowers cover the tree in a beautiful floral display during spring and early summer. The jacaranda tree is a stunning ornamental tree known for its vibrant clusters of purple-blue flowers. Purple Flowering Trees (With Pictures): Identification Guide Jacaranda Tree ( Jacaranda mimosifolia) Descriptions and pictures of different types of trees with purple blooms will help you recognize and choose the best purple flowering trees to enhance your garden or landscape. This article is an identification guide to purple flowering trees. In addition to beautiful purple flowers, many trees have lush summer foliage that turns orange, yellow, purple, and red shades in the fall. Many of these small purple-flowering trees are versatile landscaping plants that can grow as multi-stemmed shrubs. The best purple flowering trees are magnolias, redbuds, mountain laurels, and chaste trees. Large purple-blooming shade trees are perfect for shading a patio, deck, or lawn in the summer. For example, small ornamental trees with purple flowers don’t take up much room, which is ideal for compact yards. Purple flowering trees can enhance the visual appeal of your front or backyard. Trees with purple flowers are an ideal way to add a touch of elegance and beauty to your garden landscape. Share on Email Share on Pinterest Share on Facebook Share on Twitter Share on LinkedIn Este viraje hacia una perspectiva sociocultural crítica es importante y oportuno, porque cuestiona las opiniones deficitarias de los estudiantes, e incluye aspectos de poder, identidad, representación y autoridad. Con base en este análisis, la autora determina la aparición de una perspectiva crítica en América Latina, que considera las literacidades académicas como prácticas sociales insertas en sistemas de poder. Con este fin, la autora presenta una descripción del contexto de la educación superior en América Latina, y analiza la literatura sobre literacidades académicas en la región bajo los lentes de tres modelos: el modelo de habilidades de estudio, el modelo de socialización académica y el modelo sociocultural crítico. Keywords: Academic literacies, Latin America, higher education, critical sociocultural perspective, literacy.Įn esta editorial, la autora reflexiona sobre el estado de la investigación en literacidades académicas en la educación superior latinoamericana. The author invites Latin American scholars to consider the implications of a critical sociocultural perspective on academic literacies and the possibilities it offers for understanding how youth interact with literacy in a region where education often reinforces deep inequalities. This transition to a critical sociocultural perspective is important and timely because it challenges deficit views of students, and it addresses issues of power, identity, representation, and authority. Based on this analysis, the author argues that a critical sociocultural perspective is emerging in Latin America, which considers academic literacies as social practices embedded in systems of power. To this end, the author presents a description of the context of higher education in Latin America and an analysis of literature on academic literacies in the region through the lenses of three models: the study skills model, the academic socialization model, and the critical sociocultural model. In this editorial, the author reflects on the state of research on academic literacies in Latin American higher education. In 1733,he received a patent for his most revolutionary device: a ''wheeled. He is often confused with his namesake,who built the first ''spinning frame''. That had made a lot of people furious at John Kay so they chased until they caught and killed him while he was penny less. 1779) was the inventor of the flying shuttle, which was a key contribution to the Industrial Revolution. When it was made a lot of people had lost their jobs due to the fact that it was easier to use. John Kay was the inventor of the flying shuttle. So that made some workers very mad for a matter of a fact it improved how dis respectable the work boss was. It did not however change the fact that work bosses being dis respectable. Before the flying shuttle people had jobs and more open spots for people to earn money, also required people to work a lot harder than they had before. A shuttle is a tool designed to neatly and compactly store a holder that carries the thread of the weft yarn while weaving with a loom. It had made the work force for people a lot harder because some of the flying shuttles had required two people to work it correctly. It could not be in our houses and homes because of the size of the flying shuttle was so big we built factories. The flying shuttle was patented by John Kay (1704c. Time is saved in weaving wide fabrics where it is difficult to. Moreover, the flying shuttle can achieve self-propulsion by decomposing oxygen bubbles generated by 0.5 H 2 O 2. It is especially useful in weaving studios where long yardages are made. The catalase-zinc (II) micro robot (CATZn 3 (PO 4) 2 MR) had a flying shuttle morphology with a particle size of 3 m and enzyme loading of 27.7, great stability and biocompatibility. A hammer in the shuttle box, put in motion by a cord and handle, strikes the shuttle, and sends it though the shed without the weaver touching it. It allowed a single weaver to weave much wider fabrics, and it could be mechanized, allowing for automatic machine looms. The flying shuttle is a beater with shuttle boxes at each end. The flying shuttle was invented during the industrial revolution and it helped make a lot of things happen for example due to the large amounts of this being made we needed a place for it too be. The flying shuttle was one of the key developments in the industrialization of weaving during the early Industrial Revolution. Speaking of Bill, while it was great to get a version of sorts of her, courtesy of Testimony, a sort of galactic consortium of memory chroniclers (was anyone else vaguely reminded of “San Junipero” on Black Mirror?), those wanting some kind of closure from her exit at the end of the season could have felt a bit disappointed. We needed that sequence right now more than we needed to see two Doctors bickering, or Bill’s return to the Doctor’s world, or the Doctor regaining his memories of Clara. This hour wisely stays away from Christmas altogether until that moment, and it is the deftly played ace in Moffat’s narrative deck. The moment of the Captain’s death provides the jumping-off point for the drama, and culminates in the Twelfth Doctor jiggering with time just enough to save him from that death by returning him to the war in the middle of the Christmas truce of 1914. So an onscreen return for one of modern Who’s most controversial writers was more than welcome, and his Captain never for a moment feels any less important to the goings-on than the three scene-stealers he’s working with here. Way back in the third season of the new series, Who scribe Mark Gatiss’s performance as a mad scientist was the high point of the otherwise somewhat average “The Lazarus Experiment.” He arguably felt even more at home in front of the camera than behind. There’s much beauty in the way the old fogy responds to the brave new worlds ahead of him. Never for a moment did I not buy this version of the original, and beyond nailing the character, he’s marvelous at playing the material itself. I’d swear Bradley spent hours poring over Hartnell episodes in an effort to get it right. I kept waiting for him to purposefully fluff a line just to make it authentic. The posture, the stance, the look - all of those things unquestionably worked, but to my ear, it was the speech patterns that knocked it out of the park. Instead, he gave us a subdued hour of character beats punctuated by blasts of nostalgia - undoubtedly a sly way to go about wrapping things up.Īfter excelling as William Hartnell in the love letter of a TV movie An Adventure in Space and Time (and before that as the villain in an episode penned by incoming showrunner Chris Chibnall), David Bradley returns to the world of Doctor Who to play the First Doctor proper, and the results are nothing less than dazzling. He learned a lesson, and this time around, seemingly knew that going bigger than the season finale was not in the cards. Four years ago, after the gargantuan 50th-anniversary special “ The Day of the Doctor,” Moffat seemingly attempted to go even bigger with “ The Time of the Doctor,” and it failed. This hour was the postscript, the epilogue, the punctuation at the close of a terribly long sentence. There was no way that this hour could best the mission statement of the season-ten finale “ The Doctor Falls,” which was as much about the end of the Twelfth Doctor as this outing was. “Twice Upon a Time” is lean on plot and heavy on character, which, after Matt Smith’s bloated misfire of an exit four years ago, was precisely the correct tone for the series to strike. A Time Lord even more so.” - The Fifth Doctor (Peter Davison), “The Five Doctors” “A man is the sum of his memories, you know. After 12 years of working on the show, coupled with a lifetime of fandom before that, there can be no doubt that Steven Moffat’s memories are often overflowing with Doctor Who. Perhaps this final hour was his chance to walk down memory lane by reintroducing the incarnation of the Doctor that started it all, and toying with the notion that more than anything else, memories make us who we are. He’s been crafting how we view this TV series since the very first season of the revival way back in 2005, when he unleashed “ Are you my mummy?” on an unsuspecting public, and he’s barely had time to look back since. Watch Jodie Whittaker Become the Doctor in Her Doctor Who Regeneration Sceneīeyond the narrative, the no-brainer part really comes into play when one considers that Moffat has been waist-deep in Doctor Who for the last seven years as executive producer, and at least knee-deep as a writer for the five years prior to that. There is a lot to take in - sometimes too much, and you need to carve out a space for your mind to take a visual pause, but you never run out of things to notice. The other big influence of living in Shanghai is the innumerable visual stimuli one encounters with each step. My work space is small, and I’ve been sending more work by post, which prompts me to make work that is smaller and has me thinking even more-so-than-usual about ways to make work portable, foldable, storable, and mailable. I used to worry more that this might be “doing it wrong” but mostly I’ve let that go.ĭo you think the city you live in plays a role in your work? I’ll follow an order or a schedule as needed, but my workflow adjusts to the particular season, time, goals, and space I’m in. I’m not a person who requires deadlines to make work, and I’m not a huge fan of regimented routine. This surprised me, to be honest, but I’m excited about it… Wish me luck!ĭo you set-up guidelines for yourself as an artist? For example: when you work, where you work, materials you use, sketching/planning before starting, etc. And now I am applying to teacher training programs. I thought about how each part of one’s life is part of one’s art (and vice versa). And I loved it- especially working with the middle schoolers!Ĭoincidence or not, the fact that great thing #1 turned my attention to the ways in which teaching is creative, interactive and immersed in the human experience, which, on my very best days, is what I hope my artwork is. I started subbing at one of the international schools here. I really enjoyed talking with them about their work.įast-forward to Fall in Shanghai. They each had really unique art practices alongside their teaching practices. They also knew all these great things about kids’ brain development and how people work. They have a particularly interesting school setting (Garden Hill, Manitoba, Canada), working in an isolated area with a population that faces unique difficulties. Two of the other artists-in-residence are also middle school teachers. The second great thing “sparked” by conversation at SB might become a new vocational expression of my creativity. These conversations raised my attention to what it is that I truly feel compelled to make, express or do in the world. We talked about what it takes to get artwork out into the world, and how sometimes, though it feels impractical and/or really hard, you don’t even care, you just want to make the work happen. I’ve thought a lot about a couple conversations I had with the other artists that were there at the same time as I was. Two of the best things over the last year came from my time at Spark Box (I’m not just saying that to win your favor). What is the best thing that happened this past year with your art? Exhibits? Write ups? Breakthroughs? On the object-making front, I’m cutting up rejected paintings and sketches, then reshaping and sewing them onto Cave Paper, which has me thinking about the visual textures of weaving and embroidery. (If anyone has suggestions, please let me know.) Her readers requested prints of these, so I’m researching print-on-demand services. I recently created a series of illustrations to help author Karen Maezen Miller promote her new book of poems, Paradise In Plain Sight. I’ve just finished moving apartments in Shanghai, so my immediate project is unpacking and re-setting up my studio space within our home - a pain, but it also gets me reacquainted with all the hidden gems of my tools and materials. Tell us about yourself and your most recent work. We are happy to continue our new series Interview with a Resident with Julie Kesti, a multidisciplinary artist who creates bright and colourful pieces in Shanghai China. We know that typography isn't a one size fits all situation. There are different fonts for different folks. How to pick the right font for your modern logo.To help guide your every step, we compiled an informative list of modern typeface examples for you. Sparing no time to express yourself will get you closer to building a better brand image. It only takes consumers 7 seconds to decide on their first impression of you. With a contemporary font, you can improve your design projects for your website, social media graphics, and of course, logo design, among many others.Ĭreating a brand mark with modern logo fonts is a straightforward way to build a relevant brand identity. Brands that are relevant and timely have a secret weapon to communicate that to their audience. Gone are the days of old-fashioned design. I’ve created a quick reference guide for you with 10 of my favorite fonts to use for a simple logo design.Out with the old, in with the new. For simplicity, you could choose the same font family as your header but select the light or regular version. However, if you are looking for more of a classic feel, use a serif type of font. To give your marketing asset a modern feel, a good rule of thumb is to go with a sans-serif font for the body copy. Your highest priority for the body copy is to select a font that is easy to read. For the header, use either the regular font or the bold version. It’s advisable to use a font with several complementary styles (a font family). While the font that you select for your header will be different from the one you use for your logo, they should still complement one another. Pro-tip #3: Choose a font for your headers This is what helps to make your logo stand out from all the other elements in your marketing assets. While it may be tempting to use your logo fonts in other marketing content, I’d recommend using them only for your logo. Once you’ve selected 1-2 fonts, you will need to continue to use them to maintain brand consistency. Make sure that the fonts you select accurately portray your brand. Pro-tip #2: Choose only 1-2 fonts for your logo What is left is a clean, stripped-down version of the font. This family of fonts removes all the unnecessary markings that appear to form small distracting tails on the characters. A sans-serif font adheres to the minimalist design theory that less is more. To achieve a simple, minimal logo, I would suggest using a sans-serif font. Pro-tip #1: Choose a high-quality sans-serif font Now that you have your descriptive words, you need to choose a font that best reflects those words. Effective branding draws from both your brand style as well as the style of your avid followers. Now try to describe them in three words and write them down.įinally, look at both of your descriptions and choose the words that best match your brand identity. Who buys from you? Who are your key supporters and brand ambassadors? Try to visualize them in your mind. What three words would you use to describe your brand to a friend? Some examples may include modern, feminine, friendly, warm, classic, etc. Picture everything - from the packaging for your product, to the way you treat your clients, to your website or storefront. It’s only one part of your brand identity. In this post, I’ll share some of my best typography tips with you to create a professional, simple logo design for your business. So how do you find a font that is the right fit for your business? How to choose a font for a simple logo designĪs a graphic designer, I’ve helped entrepreneurs and small businesses by creating simple logo designs that are both memorable and timeless. There is an overwhelming number of fonts available for download on the internet and narrowing down your search to either sans-serif or serif fonts won’t make the process much easier. Choosing fonts for a simple logo design can be a challenging task for non-designers and sometimes even for professional designers. It should also be noted that Biden's motorcade consisted of dozens of vehicles. No members of the National Guard have stated that they turned their backs on the motorcade, no credible news outlets have filed such reports, nor has the National Guard released any statements admonishing members of the military for showcasing disrespect for their commander-in-chief. The claim that this video shows members of the military turning their backs on the president is based on solely on the thirdhand interpretations of social media users. The National Guardsmen in this video were simply performing their duties to ensure the safety of everyone in attendance at Biden's inauguration. In other words, this video does not show any disrespectful behavior. Some are facing out to ensure the safety of all.” In order to do so, some are facing away from the street, while others are facing toward the motorcade.Ī spokesperson for the National Guard told us: “These National Guardsmen were on duty with a mission to protect the president against potential threats. In this video, for instance, these members of the United States military are on duty to protect the president against potential threats. The claim that these National Guardsmen were turning their backs on Biden's motorcade is based on the presumption that members of the military should, at all times, stand at attention in the presence of the commander-in-chief. _Īssociated Press writers Jeff Amy and Jeff Martin contributed.This video does not show members of the National Guard intentionally turning their backs on Biden's motorcade. Department of Justice last month announced a civil rights investigation into jail conditions in Fulton County, citing violence, filth and the death last year of a man whose body was found covered in insects. On Thursday morning, the jail housed 2,618 people, above its capacity of 2,254, according to data from the sheriff’s office. The jail is plagued by crumbling infrastructure and overcrowding. While others who are booked there spend months or even years in the facility awaiting indictment or trial, Trump left the jail 20 minutes after surrendering. But the demonstration was otherwise peaceful. Members of a group called Blacks for Trump hurled racial slurs at Black sheriff’s deputies. Some deputies wore vests and covered their faces with black masks. While cars had been allowed on the Rice Street side of the jail a day earlier, sheriff’s deputies cut off vehicle traffic on Thursday. But with the booking of a former president looming, the driveway off the main street in front of the jail had been closed off for days, with no reporters or cameras allowed within viewing distance of that entrance. On most days, the public and news media are free to drive right up to the front of the jail, and news cameras have captured the arrivals and departures of many high-profile people who have been booked into the jail. It’s set back from the street by a long, tree-lined driveway that leads to a parking lot in front of the jail’s imposing façade. The main Fulton County Jail, also known as the Rice Street Jail, is located in a traditionally industrial part of northwest Atlanta where warehouses are currently being redeveloped for retail and residential use. While the crowd was mostly made up of Trump supporters, 64-year-old Laurie Arbeiter, who is from New York City, wore a shirt that said “Arrest Trump” and carried more than 50 black-and-white signs with her, including ones that read “Convict Trump” and “Trump is a Traitor.” She said she’d also traveled to other places where Trump was indicted.Īs midday temperatures hovered near 90 degrees, sheriff’s deputies in vests toweled off and sought shade under a tree. The former president questioned the election results, which isn’t a crime, she said. She said the indictments against Trump had only strengthened her support for him. I want him to see some of the millions that show up at the polls for him.” |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |